![harry potter and the order of the phoenix pdf google harry potter and the order of the phoenix pdf google](https://ecdn.teacherspayteachers.com/thumbitem/Harry-Potter-the-Order-of-the-Phoenix-Quizzes-Final-Exam-Ch-1-38-w-Key-4838763-1610494413/original-4838763-3.jpg)
- #Harry potter and the order of the phoenix pdf google skin#
- #Harry potter and the order of the phoenix pdf google software#
- #Harry potter and the order of the phoenix pdf google series#
- #Harry potter and the order of the phoenix pdf google windows#
#Harry potter and the order of the phoenix pdf google windows#
" Later on, in-house rigid body dynamics system PAPI was used to simulate hundreds of windows explosions on the digital set. "There was so much geometry and textures, so many lights, so much ray-tracing, that it took us months to figure out an efficient way to render it all procedurally. "The set ended up being so huge that we had great difficulties to render it," Butler notes. Then, a shader applied all the highlights and reflections. These images were then employed as color maps for projection onto the geometries. Then, MPC did an extensive photo survey of the set, using multiple exposures and a flat lighting. The geometry was modeled based on blueprints, with finer details provided by a LIDAR scan. Parallel to their "creature" work, MPC tackled major set extensions for the Ministry of Magic, a huge location in which the final battle takes place. On all the shots, the company employed RenderMan for rendering, and Shake for compositing. For the shot of the bubble bursting, MPC used a filmed element of a big dump tank on set. On Dumbledore's side, the giant water globe was created as a displaced sphere rendered with many Flowline fluid and particle simulations.
![harry potter and the order of the phoenix pdf google harry potter and the order of the phoenix pdf google](https://image.tmdb.org/t/p/w1280/pkxPkHOPJjOvzfQOclANEBT8OfK.jpg)
#Harry potter and the order of the phoenix pdf google series#
MPC used Maya's particle system and RenderMan's firework shader to create the effects in a comedic sequence where Ron's twin brothers Fred and George launch a series of magical fireworks at their new Headmistress. Since the fuel was constantly emitting out of the body, the fire reacted organically to any movement that the creature did."
![harry potter and the order of the phoenix pdf google harry potter and the order of the phoenix pdf google](https://i.ytimg.com/vi/nDs300o1nkE/maxresdefault.jpg)
With this in mind, we had included lots of cracks in the surface in order to justify the emission of hot gases that would all ignite. Once we got approval for the performance, we took it into Flowline to generate the fire. For the fire creature, we started by doing keyframe animation on a snake geometry using Maya.
#Harry potter and the order of the phoenix pdf google software#
"We had great support from the Scanline team who worked a lot to adapt the software to our needs. "We used Flowline on Poseidon, and actually, the fire simulation in Order of the Phoenix was very similar to the oil fire effect that we had done for that film," Butler observes. Both manifestations made large use of Flowline, a fluid simulation engine developed by Munich-based Scanline. When the evil sorcerer cast a fire snake, Dumbledore retaliates with a water bubble.
#Harry potter and the order of the phoenix pdf google skin#
We always tried to keep as much of the real skin as possible."įurther to the nose-less effect, MPC was asked to tackle the final confrontation between Voldemort and Dumbledore. The digital appliance went from his eyes down to the upper lip and was about three inches wide. On set, Ralph had tracking markers on the face that we used to track on the CG nose. "We used our new sub-surface scatter model that allowed us to obtain more realistic results much faster. "We were able to re-use the original assets, including the facial rigging set-up and the textures, with some updates," Butler notes. The 230-shot assignment included a series of nose replacement on actor Ralph Fiennes, who plays the evil sorcerer Voldemort, an eerie effect that MPC had pioneered on the previous film. Greg Butler supervised the effort, with vfx producer Jay Heapy, and supervisors Charley Henley, Clwyd Edwards and Ferran Domenech. Leading the pack was The Moving Picture Co., a key contributor to all the Harry Potter movies. Pictures), overall visual effects supervisor Tim Burke spread more than 500 shots among seven different vendors. Inc.Īlthough Double Negative did the bulk of the work on Harry Potter and the Order of the Phoenix (which opened July 7 from Warner Bros. A key contributor to all the Harry Potter movies, MPC produced 230 shots, including the nose replacement on actor Ralph Fiennes who plays Voldemort.